KING OF BRANSON
PAGE 4 of 12
| For the first time Tabuchi began entertaining dreams of becoming a professional musician, an American country and western musician. |
hoji Tabuchi was born in the town of Daishoji near Osaka in Ishikawa
Prefecture. His father Shigeru was a successful corporate executive, and his
mother Yukie, a devoted mother. Shoji is the youngest of three, after sister
Kazuko who is three years older and brother Masaya who is two years older.
At Yukie's insistence Shoji began taking violin lessons from the age of 7. He
was enrolled in the Suzuki method which operates on the premise that all
young children are innately gifted with the ability to play a musical
instrument. A reluctant music student, Shoji was persuaded to stick with it
long enough to become good at it. Tabuchi likes to tell audiences how his
mother would have to chase him every day to make him take his lessons.
"She became pretty good at climbing trees," is Tabuchi's punchline.
At the public elementary and high schools he attended, Shoji was an
indifferent student. He was a free spirit, more inclined to follow his own
impulses rather than go along with the other boys. "I was not a rebel,"
Tabuchi says, "but yeah, I was different, I guess." The realization came to
him when he was in high school. "I wouldn't do things like everybody else
would do. If somebody said, everybody go, I didn't go, I didn't have to go."
Tabuchi denies, however, that he was a loner. His height, no doubt, also set
him apart. He was nearly a head taller than his peers. "On the [crowded
subway] train, I could see over people's heads," he recalls.
Shoji Tabuchi is often joined on stage by wife Dorothy and daughter Christina.
In his violin playing Tabuchi liked to improvide his own variations of the
music he was taught, a practice that upset his teachers. "It wasn't so much
creating my own music, but I always wanted to change around the music.
More jazz-oriented." He seems not to have felt any urge to compose his own
music. Perhaps already nursing ambitions of becoming a performer, he also
took voice lessons.
In 1964 17-year-old Tabuchi and friends went to a local concert featuring a
touring American country band called Roy Acuff and the Smokey Mountain
Boys. Until that time Tabuchi had had no exposure to country and western.
That concert proved fateful. Acuff's violinist Howdy Forrester enchanted
young Tabuchi with the birdlike sounds he produced in his rendition of
"Listen to the Mockingbird".
"That was perfect example for me," Tabuchi recalls of the inspiration that
performance gave him. After the show Tabuchi went up to meet Acuff and
was graciously invited to look him up if he ever came to the United States.
For the first time Tabuchi began entertaining dreams of becoming a
professional musician, an American country and western musician. Before
that meeting it had been assumed that, despite his undistinguished academic
career, he would get a corporate job. "In college I was taking a business
major. My dad [was] in the business world--you have connections. I don't
think I [would have] had too hard a time getting into some good company."
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